The Greatest Like of All
I love this form, but this statement strikes me as utter bullshit.
-carbonsixty

Carsten Nicolai, Anti, 2004.

Regular geometric forms represent systematic thinking and the interrelationship between mathematics, optics, art and philosophy. anti is a geometrical form, a distorted cube, truncated on top and bottom to obtain rhombic and triangular faces. It reacts to the magnetic field of bodies, enabling an interaction with the visitor while its mechanism remains hidden. anti refuses instant recognition. Its black, light-absorbent surface and monolith-like crystalline shape, that derives from Albrecht Dürer’s engraving Melancholia I (1514), confronts the viewer, trying both to mask its form and to disguise its function and thereby absorbing information.

(via carsten nicolai)

I love this form, but this statement strikes me as utter bullshit.

-carbonsixty

Carsten Nicolai, Anti, 2004.

Regular geometric forms represent systematic thinking and the interrelationship between mathematics, optics, art and philosophy. anti is a geometrical form, a distorted cube, truncated on top and bottom to obtain rhombic and triangular faces. It reacts to the magnetic field of bodies, enabling an interaction with the visitor while its mechanism remains hidden. anti refuses instant recognition. Its black, light-absorbent surface and monolith-like crystalline shape, that derives from Albrecht Dürer’s engraving Melancholia I (1514), confronts the viewer, trying both to mask its form and to disguise its function and thereby absorbing information.

(via carsten nicolai)

gagweed:

(via r13317, 2hrsago)
aakashnihalani:

“Cloud (Yellow)” by Aakash Nihalani  painted stainless steel 72 x 72 x .25 inches

aakashnihalani:

“Cloud (Yellow)” by Aakash Nihalani
painted stainless steel
72 x 72 x .25 inches

myedol:

Glass cubes travel via FedEx from exhibition to exhibition, inevitably being damaged on route and displayed on shipping box pedestals.

by Walead Beshty

androphilia:

Sleeping Man, Joubert Park, Johannesburg (2_22495) By David Goldblatt, 1975
prettycolors:

#f54000

prettycolors:

#f54000